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  • Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Open a larger version of the following image in a popup: Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    Klowden Mann, Los Angeles

    Christine Frerichs

    Blood Red Geranium and Letter Opener, 2020
    Oil and wax on paper
    22 x 15 inches
    Shipping Location: Los Angeles, CA

    Further images

    • (View a larger image of thumbnail 1 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    • (View a larger image of thumbnail 2 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    • (View a larger image of thumbnail 3 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    • (View a larger image of thumbnail 4 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    • (View a larger image of thumbnail 5 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
    • (View a larger image of thumbnail 6 ) Christine Frerichs, Blood Red Geranium and Letter Opener, 2020
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    This is a new piece by Christine Frerichs from her 'Viewfinder' series. In naming the series, Frerichs references the physical act of framing a composition from life by using a...
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    This is a new piece by Christine Frerichs from her "Viewfinder" series. In naming the series, Frerichs references the physical act of framing a composition from life by using a classic viewfinder, a rectangular hole cut in a hand-held piece of paper. In that sense, the viewfinder becomes a metaphor for both the value of subjectivity as well as the problem of representation. In the case of many of her works, Frerichs uses both words and image; beginning each work by writing her immediate thoughts in a stream of consciousness onto the back of each blank surface.

     

    klowdenmann.com

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