Observing light and shadow on a screen in an inverted state, La Londe renders these moments with flashe and tempera, which leave evidence of brush-strokes and accidental drips of paint....
Observing light and shadow on a screen in an inverted state, La Londe renders these moments with flashe and tempera, which leave evidence of brush-strokes and accidental drips of paint. Mistakes are made, and these artifacts reveal the materiality of shadows, and their sensory impressions. His paintings are stand-ins for the photographic negative, and their image is also printed like an analogue negative would be: photographed with a camera, inverted in Photoshop, and printed as pigment-based inkjet prints, at a 1:1 scale of the paintings they depict.